![]() Mark Griffiths analyzes Tat'iana Tolstaia's Kys' (2000) and Dmitrii Glukhovskii's Metro 2033 (2005), comparing and contrasting the roles of Muscovite space in these narratives. This article focuses on the apocalyptic images of Moscow that not only proliferated in the immediate aftermath of the fall of the Soviet Union but that have also persisted during the 2000s. ![]()
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